What am I working on?
As far as creative writing goes, I've written very little this week. In fact, I think I scribbled out one sentence...
Rather than writing, I've been having scraps and pieces of story ideas drifting around in my head. They're just tiny little flashes of scenes that have been coming to me. This week, I hope to collect my thoughts and pen them down in some form or other.
How do I feel about the process?
I'm feeling pretty disconnected right now with all my ideas. I'm not sure if they're pieces of a whole, or if they're just pieces from different stories. They all have a medieval/fantasy sort of setting so I suppose I could put them together if I wanted to.
What am I reading?
Pat of Silver Bush by L. M. Montgomery
The Two Towers by J. R. R. Tolkien
Nothing has changed in my reading, except that I actually have been reading! Normally I just read a few sentences before bed as a wind-down, but I decided to try to get back into reading at least a few pages a day. I love to read books - real, printed, paper books - but it's been harder for me to set that time aside during school semesters.
Total word count: 26 (Looks like it was two sentences, actually. Yay, hurray).
Wednesday, February 22, 2017
Wednesday, February 15, 2017
First Short-Story
SOLACE
From the moment sixteen-year-old
Rosie Portman woke up, she felt a yearning to
hear her brother’s violin music. Rosie’s brother was an
exceptionally gifted violinist, but
he only played when he felt that the Portmans really needed
him to – when he felt that
they had all been having an especially trying day. Waking up
with a terrible head-ache,
and a drab grey sky out her window, Rosie fervently hoped
her brother would oblige
them all with his music. Her headache lessened only slightly
throughout the day and was
nearly gone, but not quite, by the time dinner was in the
making.
Rosie now stood between the
kitchen, where her mother was busy making
preparations for dinner, and the living room where her two
brothers sat side-by side. No
one would have guessed that David and Ben were brothers.
David, who was studying to
be a pilot, was tall and bronze with a fierceness in his
blue eyes that told of his great
strength and determination. Benjamin was small and delicate.
The red fringe of hair
visible under his cap stood out against his marble-white
skin. In his deep brown eyes
there was an indefinable something that almost made Rosie
sad.
It was a well-known fact that Mr.
and Mrs. Ronald Portman’s youngest child did
not speak, or rather would not speak. Though he was nearly
eleven and a half years old,
Benjamin never said a word, save for on rare occasions when
he replied with one or two
words in response to his older brother David. David never
pressed him to speak, or
reacted with surprise when he did, and so he became the only
person Ben ever opened his
mouth to speak to.
David was
speaking animatedly while Ben listened intently, occasionally nodding
his head. As the clock struck four, David stretched and
yawned, thoroughly exhausted
from his own chatter.
“Go get ‘er,” he said, giving Ben’s
knee a playful whack.
Ben got to his feet and crossed the
floor to the front door. Every day at four-o’-
clock Ben went to get the mail. He never missed it, and he
was always punctual.
However, Ben got no further than opening the door before he
was met with a sight that
made his pale face whiter still. Mrs. Nettle, the neighbor
lady who knew everything about
everyone, or thought she did, was just huffing up the front
steps, on heels that were much
too high for her.
“Benny, dear! How are you?” She
said loudly and deliberately, as if speaking to
him with enough volume would somehow restore his powers of
speech.
Ben’s only response was to draw his
eyebrows together, tighten his thin lips, and
raise his shoulders defensively. At this flinch-like
gesture, Mrs. Nettle merely chuckled
and reached out a glossy nailed hand to ruffle his hair – a
feat made difficult since he was
still wearing a hat.
Rosie and
David instinctively came to his aid.
“Hello, Mrs. Nettle,” they said
together.
David was an especial favorite of
Mrs. Nettle’s and she pounced on every chance
she got to shower him with praises and to reaffirm that he
would go far in his life simply
because she said so.
“Ben, will you help me in the
kitchen? There are a few things I meant to wash.
Excuse us, Mrs. Nettle,” said Rosie.
She took Ben’s white wrist and
pulled him away from the door where he had been
standing as if rooted to the floor. Mrs. Nettle prattled on
to David, as though she had not
heard Rosie.
In the safety of the kitchen, Rosie
let out an exasperated sigh and passed a small
stack of dishes to Ben.
“Don’t do any more than these,” she
advised, only half expecting him to obey.
As Ben ran the water and started to
scrub a large mixing bowl, Rosie pulled a
batch of rolls out of the oven that had just finished
baking.
“Who is that, Rosie?” Mrs. Portman
asked.
“Mrs. Nettle. She must have found
out David was coming home today.”
“Ah.”
Rosie began setting the table,
catching a few words here and there such as
“…always top of the class…know you can do anything you set
your mind to…very
capable…always so easy for you…never had trouble…whereas,
poor Benny – ”
There was a splash followed by the
tinkling of glass shards.
“Ben,” Rosie came to his side,
taking his hand and turning it over. His palm was
red and raw. A blister was just forming on his index finger.
“You’re doing more than I gave you.
Don’t push yourself.” She passed him a dry
rag. Ben started to pluck pieces of glass from the sink but
Mrs. Portman firmly told him
to rest a while. He was frequently being told to take a
rest, and more consistently still he
was admonished to reapply his special ointment to the
sensitive skin on his fingers and
palms. He needed no reminding this time and promptly took a
small jar out of his pocket.
Rosie sank into a reverie as she watched Ben work the
ointment in soothing circles
around his distressed skin.
The best that doctors had been able
to do for Ben’s sensitive hands was to
prescribe him this special ointment, which provided
temporary relief. This ointment he
now carried everywhere he went. In his childhood, Ben had
acquired an unknown skin
condition that only affected his hands, but it kept him from
doing a wide variety of things
that most boys his age had no trouble doing. He would get
blisters and raw spots on his
hands even after performing the simplest of tasks for short
durations of time. Rosie knew
he didn’t feel sorry for himself; she knew that what he was
most sorry for was that he was
not able to help in the ways David and Rosie were able to.
While Ben kept a brave
countenance in public, Rosie would sometimes hear him crying
in his bedroom at night.
On these occasions, she would tiptoe into his room and
gently hold his hands in hers,
staying up all night or until the pain subsided enough for
him to fall asleep. Some nights
were worse than others. If he had tried especially hard to
be helpful, he was scarcely able
to pull his covers back at the end of the day; the lightest
touch was agony on such nights.
Rosie was
shaken from her reverie by the sound of David’s voice, hollering a
cheery farewell after the clip-clopping footsteps of Mrs.
Nettle. David appeared at Ben’s
side in the kitchen and swiped the hat off from the hidden
flames of hair. Ben snatched it
back with a reproachful grin. As he clamped it back on his
head, tugging it around his
ears, Rosie stifled a sigh. She wished he would leave his
hat off sometimes; he had such
beautiful burnished waves of ruby hair. But that hat stayed
on all day, everyday. Rosie
often had to remind him to take it off before bed.
“David, will you go knock on the
study door? I think we’d better sit down to
dinner soon,” said Mrs. Portman, wringing her flour-dusted
hands in her apron.
“‘Course.” David swung himself
about and headed off to the study.
Mr. Portman had taken to spending
long hours in his study as of late. It had been a
hard year financially, and he put whatever time he could
into figuring how the Portman
family were to meet their expenses. As Mrs. Portman placed a
cold platter of ham on the
table, next to the rolls and salad, David re-entered
followed by his father. Mr. Portman
rubbed his forehead and said nothing as he fell into his
chair at the head of the table.
The meal that ensued was a rather
grim affair. David kept up a lively chatter all
throughout it. He told his mother, who was surveying her
husband with concern, anything
amusing that he could re-call his pilot buddies saying to
him. Rosie picked up the slack
when no one laughed. Ben never laughed, just as he never
spoke; besides, Rosie could
tell this would be another of his agonizing nights. He
really had been pushing himself
over the edge all day. Mrs. Portman smiled weakly, and Mr.
Portman continued to frown
at his plate as though it had just given him very bad news.
The
same tone permeated the small living room they congregated into
after dinner. Rosie looked about the room at the faces of
the people she loved most – her
father, resting his tired head in his hand – at her mother
looking fearfully at Mr. Portman
as if she wanted to say something to him, but did not have
the words. She looked at Ben,
sitting cross-legged in front of the low embers in the
fireplace. Rosie thought he looked
rather wistful as he sat there, staring at the dancing
shadows on the hearth. What was he
thinking, she wondered?
Finally her eyes fell on David. Everyone that knew him said that
there was not a thing he couldn’t do – that they were sure
he could, and would, do
wonderful things with whatever he chose to pursue. He seemed
to instantly become adept
at anything he picked up. Anywhere he went praises met his
ears. Any place he left good
thoughts and well wishes went with him. But David was
modest. Not once had Rosie
caught the faintest glimmer of pride in her older brother.
Rosie gave one last sweep
around the room and was then quite sure: this had to be a
violin night. She turned back to
her brother and whispered confidentially, “Do you think – I
mean – ”
It seemed he had been thinking the
same thing for he nodded and leaped
energetically to his feet. In a moment he was standing with
his instrument elegantly
poised on his left shoulder. Everyone seemed to straighten a
little and, before he had even
begun, Rosie felt lighter in her heart.
The song started at a gentle pace and
gradually picked up to a riveting rhythm.
The strains from the violin told a vivid story, one more
enthralling than could be told in
words. Rosie felt deep admiration for this accomplished
musician that was her very own
brother. Every note fell like a healing drop of balm. These
private violin concerts, held in
the dim light of dying fire, not only melted the cares away
from once furrowed brows, but
also worked to imbue all with a feeling of greater strength
and power to overcome. Rosie
knew that, when her brother played, his music became the
crowning event of the day,
though he would never say so. He was always modest. Now, as
the music played, his face
was kind and sweet.
As Rosie sat listening to the song
of the violin, rich and soulful in its very
simplicity, her glance fell on Ben’s delicate face, his red
hair brushed back under his cap,
and his pocket bulging with the jar of his special ointment.
Ben had a deep way of
listening. More than once, while the music played, Rosie thought
she saw a flash in Ben’s
eyes that looked as if he had just seen something awe
striking. She knew that, more than
merely entertaining, the violin music inspired, lifted, and
strengthened him. He needed to
hear it. Mr. and Mrs. Portman finally seemed to find ease as
they listened to the
performance of their son, to whom this gift had come so
naturally. Parental pride beamed
from their faces and shone in their misty eyes.
The song ended on a high ethereal
note and faded away. A general sigh of
satisfaction seemed to wash over the close little room.
Rosie clapped her hands along
with her father and mother. David smiled. Then he pulled the
ointment from Ben’s pocket
and began to massage it into his brother’s sore fingers.
“You play magnificently, Ben.”
A slow smile spread across Ben’s
small pale face.
“Thank you,” he whispered.
Word Count Wednesday
What am I working on?
This week, I finished my first short-story called Solace. My goal for the next few days is to work on two things: evaluating how Solace turned out, and creating something that's at least one step up from it.
How do I feel about the process?
I go back and forth with how I feel about my short-story. Being the writer, I feel a personal connection with the characters and that, at least to me, is what really makes a story. If I relate to or can sympathize with the people in the story, then the story itself means more. However, in trying to honestly evaluate this story, I find myself wondering if most readers will get to the end of it thinking that what "happened" in the story was...nothing! Quite frankly, I'm not of the opinion that it's an especially eventful story. It isn't! The important parts are not obvious. I worked in hidden messages through symbolism and even in the twist at the end (which, by the way, is easy to miss). I don't like stories to shout the moral in my face or completely abandon the elegance of simplicity. I do wonder though if, as a result of this preference, I write in an overly illusive and simplistic manner.
I might try my hand at fantasy for my next writing project, but I foresee that being challenging since that genre seems to demand epic/adventure/action elements, and I don't know if I can write like that. Apparently, strong plots are not my forte!
What am I reading?
Same two books as last week...
Total word count: 2,005
This week, I finished my first short-story called Solace. My goal for the next few days is to work on two things: evaluating how Solace turned out, and creating something that's at least one step up from it.
How do I feel about the process?
I go back and forth with how I feel about my short-story. Being the writer, I feel a personal connection with the characters and that, at least to me, is what really makes a story. If I relate to or can sympathize with the people in the story, then the story itself means more. However, in trying to honestly evaluate this story, I find myself wondering if most readers will get to the end of it thinking that what "happened" in the story was...nothing! Quite frankly, I'm not of the opinion that it's an especially eventful story. It isn't! The important parts are not obvious. I worked in hidden messages through symbolism and even in the twist at the end (which, by the way, is easy to miss). I don't like stories to shout the moral in my face or completely abandon the elegance of simplicity. I do wonder though if, as a result of this preference, I write in an overly illusive and simplistic manner.
I might try my hand at fantasy for my next writing project, but I foresee that being challenging since that genre seems to demand epic/adventure/action elements, and I don't know if I can write like that. Apparently, strong plots are not my forte!
What am I reading?
Same two books as last week...
Total word count: 2,005
Wednesday, February 8, 2017
Word Count Wednesday
What am I working on?
Sometimes I find that the tip of my pen is dry and it blocks the ink flowing. In such tragic cases, before I'm able to write anything, I first need to viciously scratch on a piece of paper, leaving deep grooves of nothingness followed eventually by black zig-zagging lines. I think that this is a sort of commentary on how writing in general goes. This week I've been doing a bit of pen scratching, trying to get the ink to flow (actually, I alternated between pencil and keyboard, but you know)... One of the things I've been scribbling out is a short-story. This may not be a good sign but I don't quite know how to summarize what it's about. There's nothing "Earth-shattering" about it. The story, message, and twist are all very simple.
How do I feel about the process?
I'm enjoying creating lines that make my characters more believable and real.
Everything else is hard.
What am I reading?
"Pat of Silver Bush" and "the Two Towers" are still stacked on my nightstand. Those books really don't go together at all but, as I've mentioned, they're a couple of my favorites!
Total word count: 1,000+
Sometimes I find that the tip of my pen is dry and it blocks the ink flowing. In such tragic cases, before I'm able to write anything, I first need to viciously scratch on a piece of paper, leaving deep grooves of nothingness followed eventually by black zig-zagging lines. I think that this is a sort of commentary on how writing in general goes. This week I've been doing a bit of pen scratching, trying to get the ink to flow (actually, I alternated between pencil and keyboard, but you know)... One of the things I've been scribbling out is a short-story. This may not be a good sign but I don't quite know how to summarize what it's about. There's nothing "Earth-shattering" about it. The story, message, and twist are all very simple.
How do I feel about the process?
I'm enjoying creating lines that make my characters more believable and real.
Everything else is hard.
What am I reading?
"Pat of Silver Bush" and "the Two Towers" are still stacked on my nightstand. Those books really don't go together at all but, as I've mentioned, they're a couple of my favorites!
Total word count: 1,000+
Wednesday, February 1, 2017
Word Count Wednesday
What am I working on?
Currently, I'm trying to figure out my writing genre. I've been revisiting some old notes I scribbled out in my notebooks of both fiction and fantasy stories to see which I feel more like writing. My project for the next few days is going to be to experiment with both and see if I come to a conclusion.
How do I feel about the process?
The process of trying to choose one of two very different genres feels somewhat daunting. I suppose I could keep writing in both genres but that seems kind of bizarre...
I can go for months with fantasy front and foremost on my mind. These are times that are very exciting and magical to me, where ideas just keep coming about new plants and creatures for the different planets I've created. Occasionally, a scene will play itself out, but this doesn't happen as often for me in the fantasy genre as it does in the fiction genre.
To me, it's easier to focus on developing relatable characters in the fiction genre because they are faced with everyday situations that can be related directly to the reader. With fantasy, I get so caught up in the creation of the world that the people live in that I don't go into much depth with developing the characters.
One of my unfinished stories deals with two kids from Earth that are able to visit another world through means of some sort of telepathy. Since these two kids are residents of Earth but have the ability to travel to a world of fantasy, the story has elements of the average, dull, everyday life, but it also contains parts that are just pure fantasy. This idea may have been inspired from my indecisiveness about which world my writing is going to go towards...
What am I reading?
When I find the time, I read from the same two books as last week:
Pat of Silver Bush by L. M. Montgomery
The Two Towers by J R. R. Tolkien
By the way, those two books are perfect examples of the two genres I go back and forth with in my own writing. L. M. Montgomery is my favorite author because her characters feel very real to me and I relate to the things that happen in their lives. The Lord of the Rings is my favorite of all fantasy stories! I think it's amazing how thoroughly it was all thought out, and having all those background stories makes it feel just as real as stories like Pat of Silver Bush.
Total word count: 1,000+
Currently, I'm trying to figure out my writing genre. I've been revisiting some old notes I scribbled out in my notebooks of both fiction and fantasy stories to see which I feel more like writing. My project for the next few days is going to be to experiment with both and see if I come to a conclusion.
How do I feel about the process?
The process of trying to choose one of two very different genres feels somewhat daunting. I suppose I could keep writing in both genres but that seems kind of bizarre...
I can go for months with fantasy front and foremost on my mind. These are times that are very exciting and magical to me, where ideas just keep coming about new plants and creatures for the different planets I've created. Occasionally, a scene will play itself out, but this doesn't happen as often for me in the fantasy genre as it does in the fiction genre.
To me, it's easier to focus on developing relatable characters in the fiction genre because they are faced with everyday situations that can be related directly to the reader. With fantasy, I get so caught up in the creation of the world that the people live in that I don't go into much depth with developing the characters.
One of my unfinished stories deals with two kids from Earth that are able to visit another world through means of some sort of telepathy. Since these two kids are residents of Earth but have the ability to travel to a world of fantasy, the story has elements of the average, dull, everyday life, but it also contains parts that are just pure fantasy. This idea may have been inspired from my indecisiveness about which world my writing is going to go towards...
What am I reading?
When I find the time, I read from the same two books as last week:
Pat of Silver Bush by L. M. Montgomery
The Two Towers by J R. R. Tolkien
By the way, those two books are perfect examples of the two genres I go back and forth with in my own writing. L. M. Montgomery is my favorite author because her characters feel very real to me and I relate to the things that happen in their lives. The Lord of the Rings is my favorite of all fantasy stories! I think it's amazing how thoroughly it was all thought out, and having all those background stories makes it feel just as real as stories like Pat of Silver Bush.
Total word count: 1,000+
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